One of our regular clients at Revisual Labs has been the UN International Organization for Migration (UN IOM). My very first project at RVL was an IOM project and one of my favorite work projects last year was Journeys of Resilience, a story that traced the movements of Ukrainian refugees as a result of the war. Mapping migration is a consistent theme and this article, originally in French, made me think about some of the choices I've been making as well as the standard representations of such a fundamentally human and qualitative subject. Sometimes in dataviz, you kind of go by the "industry defaults" for certain topics. Nearly every story in NYT or Reuters and in other outlets has the same kind of map for migrations, one of which might have big arrows showing the direction of movement from one place to other and while you're making your own map, you go with these defaults in mind. Those defaults may not be bad, but it is worth thinking reflecting on some of those decisions in a larger context, which is what this article offers. Your browser should be able to translate the original text for you.
Mapping migratory movements necessarily involves " freezing " a system that is embedded in space and time, within a complex social and political context. This is a real challenge because not only do people migrating and/or on the path to exile cross paths, but they also take " breaks ," of varying lengths, settling temporarily in a country or place, staying for a few days, a few weeks, or a few years, and sometimes leaving again.
The complexity of these dynamic routes, which defy geography and migration mapping, must then adapt to often very rapid political and temporal changes. This is why mapping always risks being anachronistic even before the map is finished.
Rhea and I play word games daily and we're pretty competitive. Since January 2024, we've tracked every game.
These charts show who's been winning more recently.
